Hello All,

Here are few points you might want to address in your feedback about the movie, Remix Manifesto

1. The film focuses on copyright and the fight between the creative minority and corporate majority.
RIP delivers a fiercely persuasive message to its audience. Copyright law is enabling the ongoing privatisation of contemporary culture to the detriment of society; and that the open exchange of creative content is pivotal for continued community growth in the digital era.What do you think about current law of Copyright?

2. Remember the Gaylor's manifesto? 1. Culture always builds on the past, 2. The past always tried to control the future. 3. Our future is becoming less free, 4. To build free societies, you must limit the control of the past. He uses these to shape and create a compelling argument for the reconsideration of Copyright and the reclaiming of contemporary digital culture. What are your thoughts on this? Do you agree with Gaylor?

3. The film unfortunately does not address this question.
If no one pays for the use of artists' work, then how could artist survive? How do you claim your work that is worth anything? This film is distributed with the the business model of selling the documentary at no fixed price. Although it has been successfully adopted across a wide variety of online content providers, what do you think about the advantages and disadvantages of this model?

4. Your general thoughts on the film?

PUSH AND PULL

Open to all undergraduate and graduate student artists who have previously taken or are currently enrolled in a photography course at Purdue University.

Entrance Fee: FREE

Entry Deadline: September 22, 2017

Drop Off Location: Photography Main Room, Pao Hall B163

Notification of Acceptance: By September 29, 2017

Show Dates: October 16-27, 2017

Show Location: Patti and Rusty Rueff West Gallery, Purdue University

Artists may submit UNLIMITED number of entries

High Resolution jpg images for all accepted works of art may be requested at time of acceptance.

Image Qualifications:

Images must have been created while enrolled in one of the listed Purdue offered photographic classes.

Sizes- Arrangements can be made for other sizes. Listed sizes are preferred. For most images, framing will be unnecessary.

Black and White= 8x10

Digital/Color= 6x9

Alternative= All Sizes

Fine Art Book= All Sizes

Qualifying Class List:

AD 117- Photography I: Black and White Processes and Aesthetics

AD 119- Photography II: Color Imaging and Studio Practice

AD 236- Lighting Fundamentals for Photography

AD 267- Digital Media I: Photography and Digital Imaging

AD 331: Digital Video Production and Aesthetics

AD 337- Commercial and Professional Practice in Photography

AD 363: Photo Documentary

AD 381- Fine Art Photographic Printmaking and Artist Book

AD 607- Graduate Seminar in Photography and Related Media

(Classes not listed are accepable, only Purdue photography courses admitted.)

Jurors/Curators: Graduate students, Molly Phalan (mphalan@purdue.edu) and Sara Poer (spoer@purdue.edu) may be contacted for more information.